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Exporting to Your Animation Package Once you are happy with the object paths and tracker positions, use the Export menu items to save your scene. The following options are currently available (note that this list is constantly being expanded; check the web site) · 3ds max 4 or later (Maxscript). Should be usable for 3D Studio MAX 3 as well. Separate versions for 3dsmax 5 and earlier, and 3dsmax 6 and later. · After Effects (via a special maya file) · Bentley Microstation · Blender · Carrara · Cinema 4D (via Lightwave scene) · Combustion · ElectricImage (less integrated due to EI import limitations) · FLAIR motion control cameras (Mark Roberts Motion Control) · Flame (3-D) · Fusion 5 · Hash Animation Master. Hash 2001 or later. · Houdini · Inferno 3-D Scene. · Lightwave LWS. Use for Lightwave, Cinema 4D · Maya scene file · Mistika · Motion – 2-D · Nuke (D2 Software, subsidiary of Digital Domain) · Particle Illusion · Poser · Realsoft 3D · Shake (several 2-D/2.5-D plus Maya for 3-D scenes) · SoftImage XSI, via a dotXSI file · Toxik · trueSpace · Vue 5 and 6 Infinite · VIZ (via 3ds Max scene) SynthEyes offers a scripting language, SIZZLE™, that makes it easy to modify the exported files, or even add your own export type. See the separate SIZZLE User Manual for more information. New export types are being added all the time, check the export list in SynthEyes and the support site for the latest packages or beta versions of forthcoming exporters. General Procedures You should already have saved the scene as a SynthEyes file before exporting. Select the appropriate export from the list in the File/Exports area. SynthEyes keeps a list of the last 3 exporters used on the top level of the File menu as well. Hint SynthEyes has many exports. To simplify the list, clickScript/System Script Folder, create a new folder “Unused” in it, and move all the scripts for applications you do not use into that folder. You will have to repeat this process when you later install new builds, however. There is also an export-again option, which repeats the last export performed by this particular scene file, with the most-recently-used export options, without bring up the export-options dialog again to save time for repeated exports. When you export, SynthEyes uses the file name, with the appropriate file extension, as the initial file name. By default, the exported file will be placed in a default export folder (as set using the preferences dialog). In most cases, you can either open the exported file directly, or if it is a script, run the script from your animation package. For your convenience, SynthEyes puts the exported file name onto the clipboard, where you can paste it (via control-V or command-V) into the open-file dialog of your application, if you want. (You can disable this from the preferences panel if you want.) Note that the detailed capabilities of each exporter can vary somewhat. Some scripts offer popup export-control dialogs when they start, or small internal settings at the beginning of each Sizzle script. For example, 3ds max does not offer a way to set the units from a script before version 6 and the render settings are different, so there slightly different versions for 3dsmax 5 and 6+. Settings in the Maya script control the re-mapping of the file name to make it more suitable for Maya on Linux machines. If you edit the scripts, using a text editor such as Windows’ Notepad, you may want to write down any changes as they must be re-applied to subsequent upgraded versions. Be aware that not all packages support all frame rates. Sometimes a package may interpret a rate such as 23.98 as 24 fps, causing mismatches in timing later in the shot. Or one package may produce 29.96 vs 29.97 in another. Handle image sequences and use frame counts rather than AVIs, QTs, frame times, or drop-frame time codes wherever possible. TheCoordinate System control panel offers an Exportable checkbox that can be set for each tracker. By default, all trackers will be exported, but in some cases, especially for compositors, it may be more convenient to export only a few of the trackers. In this case, select the trackers you wish to export, hit control-I to invert the selection, then turn off the checkbox. Note that particular export scripts can choose to ignore this checkbox. Setting the Units of an Export SynthEyes uses generic units a value of 10 might mean 10 feet, 10 meters, 10 miles, 10 parsecs—whatever you want. It does not matter to SynthEyes. This works because match-moving never depends on the overall scale of the scene. SynthEyes generally tries to export the same way as well—sending its numbers directly as-is to the selected animation or compositing package. However, some software packages use an absolute measurement system where, for instance, Lightwave requires that coordinates in a scene file always be in meters. If you want something else inside Lightwave, it will automatically convert the values. For such software, SynthEyes needs to know what units you consider yourself to be using within SynthEyes. It doesn’t care, but it needs to tell the downstream package the right thing, or pre-scale the values to match your intention. To set the SynthEyes units selection, use the Units setting on the SynthEyes preferences panel. Changing this setting will not change any numbers within SynthEyes; it will only affect certain exports. The exports affected by the units setting are currently these · After Effects (3-D) · Hash Animation Master · Lightwave · 3ds max · Maya · Poser Before exporting to one of these packages, you should verify your units setting. Alternatively, if you observe that your imported scene has different values than in SynthEyes, you should check the units setting in SynthEyes. Hint if you will be exporting to acompositing package, they often measure everything, including 3-D coordinates, in terms of pixels, not inches, meters, etc. Be sure to pick sizes for the scene that will work well in pixels. While you might scale a scene for an actor 2m tall, if you export to a compositor and the actor is two pixels tall that will rarely make sense. Image Sequences Different software packages have different conventions and requirements regarding the numbering of image sequences whether they start at 0 or 1, whether there are leading zeroes in the image number, and whether they handle sequences that start at other numbers flexibly. For example, if you have a shot that originally had frames img1.tif-img456.tif, but you are using only images img100.tif-img150.tif of it, SynthEyes will normally consider it as a 51 frame shot, starting with frame 0 (img100.tif) or, withFirst frame is 1preference on, as frame 1 at img100.tif. Other software sometimes requires that their frame numbers match the file number, so img100.tif must always be frame 100, no matter what frame# they normally start at. SynthEyes gives you the option to pad the beginning of IFLs with extra copies of the first frame, so that the SynthEyes frame number matches the image frame number, by turning on the Match frame# s preference. While this sounds simple, it will cause trouble for many of the exports. It is especially a problem if you do not have the unused frames, as is often the case. By being aware of these differences, you will be able to recognize when your particular situation requires an adjustment to the settings—typically when there is a shift between the camera path animation and the imagery. Generic 2-D Tracker Exporters There are a number of similar exporters that all output 2-D tracker paths to various compositing packages. Why 2-D, you protest? For starters, SynthEyes tracking capabilities can be faster and more accurate. But even more interestingly, you can use the 2-D export scripts to achieve some effects you could not with the compositing package alone. For image stabilizing applications, the 2-D export scripts will average together all the selected trackers within SynthEyes, to produce a synthetic very stable tracker. For corner-pinning applications, you can have SynthEyes output not the 2-D tracker location, but the re-projected location of the solved 3-D point. This location can not only be smoother, but continues to be valideven if the tracker goes off-screen. So suppose you need to insert a painting into an ornate picture-frame using corner pinning, but one corner goes off-screen during part of the shot. By outputting the re-projected 3-D point (Use solved 3-D points checkbox), the corner pin can be applied over the entire shot without having to guess any of the path. Taking this idea one step further, you can create an “extra” point in 3-D in SynthEyes. Its re-projected 2-D position will be averaged with any selected trackers; if there are none, its position will be output directly. So you can do a four-corner pin even if one of the corners is completely blocked or off-screen. By repeating this process several times, you can create any number of synthetic trackers, doing a four-corner insert anywhere in the image, even where there are no trackable features. Of course, you could do this with using a 3-D compositing environment, but that might not be simplest. At present, there are compatible 2-D exporters for AfterEffects, Digital Fusion, Discreet (Combustion/Inferno/Flame), Particle Illusion, and Shake. Note that you will need to import the tracker data file (produced by the correct SynthEyes exporter) into a particular existing tracker in your compositing package. There is also a 2-D exporter that exports all tracker paths into a single file, with a variety of options to change frame numbers and u/v coordinates. A similar importer can read the same file format back in. Consequently, you can use the pair to achieve a variety of effects within SynthEyes, including transferring trackers from SynthEyes file to SynthEyes file, as described in the section onMerging Files and Tracks. This format can also be imported by Fusion. Generic 3-D Exporters There are several 3-D exports that produce plain text files. You can use them for any software SynthEyes don’t already support, for example, non-visual-effects software. You can also use them as a way to manipulate data with little shell, AWK, or Perl scripts, for example. Importantly, you can also use them as a way to transfer data between SynthEyes scene files, for example, to compute some tracker locations to be used by a number of shots. There are several ways to do this, see the section onMerging Files and Tracks. The generic exports are Camera/Object Path for a path, Plain Trackers for the 3-D coordinates of trackers and helper points, and corresponding importers. You can import 3-D locations to create either helper points, or trackers. This latter option is useful to bring in surveyed coordinates for tracking. After Effects 3-D Procedure 1. Export to After Effects in SynthEyes to produce a (special) .ma file. 2. In After Effects, do a File/Import File 3. Change Files of Type to All File Formats 4. Select the .ma file 5. Double-click the Square-whatever composition 6. Re-import the original footage 7. Click File/Interpret Footage/Main and be sure to check the frame rate and pixel aspect. 8. Rewind to the beginning of the shot 9. Drag the re-imported footage from the project window into the timeline as the first layer 10.Tracker nulls have a corner at the active point, instead of being centered on the active point as in SynthEyes. After Effects 2-D Procedure 1. Select one or more trackers to be exported. 2. Export using the After Effects 2-D Clipboard. You can select either the 2-D tracking data, or the 3-D position of tracker re-projected to 2-D. 3. Open the text file produced by the export 4. In the text editor, select all the text, using control-A or command-A. 5. Copy the text to the clipboard with control-C or command-C. 6. In After Effects, select a null to receive the path. 7. Paste the path into it with control-V or command-V. Bentley MicroStation You can exporter to Bentley s Microstation V8 XM Edition by following these directions. Exporting from SynthEyes MicroStation requires that animated backgrounds consist of a consecutive sequence of numbered images, such as JPEG or Targa images. If necessary, the Preview Movie capability in SynthEyes s Perspective window can be used to convert AVIs or MOVs to image sequences. Perform tracking, solving, and coordinate system alignment in SynthEyes. (Exporting coordinates from MicroStation into SynthEyes may be helpful) File/Export/Bentley MicroStation to produce a MicroStation Animation (.MSA) file. Save the file where it can be conveniently accessed from MicroStation. The export parameters are listed below. SynthEyes/MicroStation Export Parameters Target view number. The view number inside MicroStation to be animated by this MSA file (usually 2) Scaling. This is from MicroStation s Settings/DGN File Settings/Working Units, in the Advanced subsection the resolution. By default, it is listed as 10000 per distance meter, but if you have changed it for your DGN file, you must have the same value here. Relative near-clip. Controls the MicroStation near clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects closer than this to the camera will not be displayed in MicroStation. Relative view-size.Another option to adjust as needed if everything is disappearing from view in MicroStation. Relative far-clip. Controls the MicroStation far clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects farther than this from the camera will not be displayed in MicroStation. Importing into MicroStation Open your existing 3-D DGN file. Or, create a new one, typically based on seed3d.dgn Open the MicroStation Animation Producer from Utilities/Render/Animation File/Import .MSA the .msa file written by the SynthEyes exporter. Set the View Size correctly—this isrequiredto get a correct camera match. Settings/Rendering/View Size Select the correct view # (typically 2) Turn off Proportional Resize Set X and Y sizes as follows. Multiply the height(Y) of your image, in pixels, by the aspect ratio (usually 4 3 for standard video or 16 9 for HD) to get the width(X) value. For example, if your source images are 720x480 with a 4 3 aspect ratio, the width is 480*4/3 = 640, so set the image size to X=640 and Y=480, either directly on the panel or using the “Standard” drop-down menu. This process prevents horizontal (aspect-ratio) distortion in your image. Hit Apply Turn Proportional Resize back on Close the view size tool On the View Attributes panel, turn on the Background checkbox. Bring up the Animation toolbar (Tools/Visualization/Animation) and select the Animation Preview tool. You can dock it at the bottom of MicroStation if you like. If you scrub the current time on the Animation Preview, you’ll move through your shot imagery, with synchronized camera motion. Unless you have some 3-D objects in the scene, you won’t really be able to see the camera motion, however. If desired, use the Tools/3-D Main/3-D Primitives toolbar to create some test objects (as you probably did in SynthEyes). To see the camera cone of the camera imported from SynthEyes, bring up Tools/Visualization/Rendering, and select the Define Camera tool. Select the view with the SynthEyes camera track as the active view in the Define Camera tool, and turn on the Display View Cone checkbox. Transferring 3-D Coordinates If you would like to use within MicroStation the 3-D positions of the trackers, as computed by SynthEyes, you can bring them into MicroStation as follows. You have the option of exporting only a subset of points from SynthEyes to MicroStation. All trackers are exported by default; turn off the Exportable checkbox on the coordinate system panel for those you don’t wish to export. You may find it convenient to select the ones you want, then Edit/Invert Selection, then turn off the box. In SynthEyes, File/Export/Plain Trackers with Set Names=none, Scale=1, Coordinate System=Z Up. This export produces a .txt file listing all the XYZ tracker coordinates. In MicroStation, bring up the Tools/Annotation/XYZ Text toolbar. Click the Import Coordinates tool. Select the .txt file exported from SynthEyes in Step 1. Set Import=Point Element, Order=X Y Z, View=2 (or whichever you are using). Transferring Meshes SynthEyes uses two types of meshes to help align and check camera matches mesh primitives, such as spheres, cubes, etc; and tracker meshes, built from the computed 3-D tracker locations. The tracker meshes can be used to model irregular areas, such as a contoured job site into which a model will be inserted. Both types of models can be transferred as follows In SynthEyes, select the mesh to be exported, by clicking on it or selecting it from the list on the 3-D panel. Select the File/Export/STL Stereolithography export, and save the mesh to a file. In MicroStation, select File/Import STL and select the file written in step 2. You can use the default settings. Meshes will be placed in MicroStation at the same location as in SynthEyes. You can bring up its Element/Information and assign it a material. To Record the Animation Select the Record tool on the Animation toolbar (Tools/Visualization/Animation) Important Be sure the correct (square pixels) output image size is selected, the same one as the viewport size. For example, if your input is 4 3 720x480 DV footage, youMUSTselect640x480output to achieve 4 3 with square pixels (ie 640/480 = 4/3). MicroStation always outputs square pixels. You can output images with any overall aspect you wish, as long as the pixels are square (pixelaspect ratio is 1.0). Note that HD images already have square pixels. Don’t clobber your input images! Be sure to select a different location for your output footage than your input. Blender Directions Blender has a tendency to change around frequently, so the details of these directions might best be viewed more as a guide than the last word. When working with image sequences and blender, it will be a good idea to ensure that the overall frame number is the same as the number in the image file name. Although you can adjust the offset, Blender incorrectly eliminates a frame number of zero. 1. In SynthEyes, export to Blender (Python) 2. Start Blender 3. Delete the default cube and light 4. Change one of the views to the blender Text Editor 5. In the text editor, open the blender script you exported in step 1. 6. Hit ALT-P to run the script 7. Select the camera (usually Camera01) in the 3-D Viewport 8. In a 3-D view, select Camera on the View menu to look through the imported, animated, SynthEyes camera 9. Select View/Background image 10.Click Use Background Image 11.Select your image sequence or movie from the selection list. 12.Adjust the background image settings to match your image. Make sure the shot length is adequate, and that Auto Refresh is on. If the images and animation do not seem to be synced correctly, you probably have to adjust the offset. 13.Decrease the “blend” value to zero, or you can go without the background, and set up compositing within blender. 14.On the View Properties dialog, you might wish to turn off Relationship Lines to reduce clutter. 15.Use a Timeline view to scrub through the shot. Cinema 4D Procedure 1. Export from SynthEyes in Lightwave Scene format (.lws) — see below. 2. Start C4D, open the .lws file 3. From the Objects menu, add a Background 4. Create a new Texture with File/New down below. 5. At right, click on “…” next to the file name for texture. 6. Select your source file. 7. Click on the right-facing triangle button next to the file name, select Edit. 8. Select the Animation panel 9. Click the Calculate button at the bottom. 10.Drag the new texture from the texture editor onto the “Background” on the object list. Background now appears in the viewport. DotXSI Procedure 1. In SynthEyes, after completing tracking, do File/Export/dotXSI to create a .xsi file somewhere. 2. Start Softimage, or do a File/New. 3. File/Import/dotXSI... of the new .xsi file from SynthEyes. The options may vary with the XSI version, but you want to import everything. 4. Set the camera to Scene1.Camera01 (or whatever you called it in SynthEyes). 5. Open the camera properties. 6. In the camera rotoscopy section, select New from Source and then the source shot. 7. Make sure “Set Pixel Ratio to 1.0” is on. 8. Set “Use…” pixel ratio to “Camera Pixel Ratio” (should be the default) 9. In the Camera section, make sure that Field of View is set to Horizontal. 10.Make sure that the Pixel Aspect Ratio is correct. In SynthEyes, select Shot/Edit Shot to see the pixel aspect ratio. Make sure that XSI has the exact same value 0.9 isnota substitute for 0.889, so fix it! Back story XSI does not have a setting for 720x480 DV, and 720x486 D1 causes errors! 11.Close the camera properties page. 12.On the display mode control (Wireframe, etc), turn on Rotoscope. ElectricImage The ElectricImage importer relies on a somewhat higher level of user activity than normal, in the absence of a scripting language for EI. You can export either a camera or object path, and its associated trackers. 1. After you have completed tracking in SynthEyes, select the camera/object you wish to export from the Shots menu, then select File/Export/Electric Image. SynthEyes will produce two files, an .obm file containing the trajectory, and an .obj file containing geometry marking the trackers. 2. In ElectricImage, make sure you have a camera/object that matches the name used in SynthEyes. Create new cameras/objects as required. If you have Camera01 in SynthEyes, your camera should be Camera 1 in EI. The zero is removed automatically by the SynthEyes exporter. 3. Go to the Animation pull-down menu and select the Import Motion option. 4. In the open dialog box, select All Files from the Enable pop-up menu, so that the .obm file will be visible. 5. Navigate to, and select, the .obm file produced by SynthEyes. This will bring up the ElectricImage motion import dialog box which allows you to override values for position, rotation, etc. Normally, you will ignore all these options as it is simpler to parent the camera/object to an effector later. The only value you might want to change is the start time to offset when the camera move begins. Click OK and you will get a warning dialog about the frame range. This is a benign warning that sets the range of frames rendering option to match the length of the incoming camera data. Hitting cancel will abort the operation, so hit OK and the motion data will be applied to the camera. 6. Select Import Object from the Object pull-down menu. 7. Enable All Files in the pop-up menu. 8. Select the .obj file produced by SynthEyes. 9. Create a hierarchy by selecting one tracker as the parent, or bringing in all trackers as separate objects. 10.If you are exporting an object path, parent the tracker object to the object holding the path. Fusion 5 There are several Fusion-compatible exporters. The main exporter is the Fusion 5 composition export, which can be opened directly in Fusion. The Tracker 2-D Paths export can write all the exportable trackers to a text file, which can then be read in Fusion with the Import SynthEyes Trackers script and assigned to any Point-type input on a node. Select a node and start the Import script from its right-click menu. At present, it appears that you should animate the desired control before importing, then tell the script to proceed anyway when it notices that the control is already animated. There is also a generic 2-D path exporter for Fusion. Houdini Instructions 1. File/New unless you are addding to your existing scene. 2. Open the script Textport 3. Typesource c /shots/scenes/flyover.cmd or equivalent. 4. Change back from COPs to OBJs. Lightwave The Lightwave exporter produces a lightwave scene file (.lws) with several options, one of them crucial to maintaining proper synchronization. As mentioned earlier, Lightwave requires a units setting when exporting from SynthEyes. The SynthEyes numbers are unitless by changing the units setting in the lightwave exporter as you export, you can make that 24 in SynthEyes mean 24 inches, 24 feet, 24 meters, etc. This is different than in Lightwave, where changing the units from 24 inches would yield 2 feet, 0.61 meters, etc. This is the main setting that you may want to change from scene to scene. Lightwave has an obscure preferences-like setting on its Compositing panel (on the Windows menu) named “Synchronize Image to Frame.” The available options are zero or one. Selecting one shifts the imagery one frame later in time, and this is the Lightwave default. However, for SynthEyes, a setting of zero will generally be more useful (unless the SynthEyes preferenceFirst Frame is 1is turned on). The Lightwave exporter from SynthEyes allows you to select either 0 or 1. We recommend selecting zero, and adjusting Lightwave to match. You will only have to do this once, Lightwave remembers it subsequently. In all cases, you must have a matching value on the exporter UI and in Lightwave, or you will cause a subtle velocity-dependent error in your camera matches in Lightwave that will drive you nuts until you fix the setting. The exporter also has a checkbox for using DirectShow. This checkbox applies only for AVIs, and should be on for most AVIs that contain advanced codecs such as DV or HD. If an AVI uses an older codec and is not opened automatically within Lightwave, export again with this checkbox turned off. Nuke The nuke exporter produces a nuke file you can open directly. The pop-up parameter panel lets you indicate if you have a slate frame at the start of the shot, or select renderable or non-rendering tracker marks. The renderable marks are better for tracking, the non-rendering marks better for adding objects within Nuke s 3-D view. Poser Poser struggles a little to be able to handle a match-moved camera, so the process is a bit involved. Hopefully Curious Labs will improve the situation in further releases. The shot must have square pixels to be used properly by Poser; it doesn t understand pixel aspect ratios. So if you have a 720x480 DV source, say, you need to resample it in SynthEyes, AfterEffects or something to 640x480. Also, the shot has to have a frame rate of exactly 30 fps. This is a drag since normal video is 29.97 fps, and Poser thinks it is 29.00 fps, and trouble ensues. One way to get the frame rate conversion without actually mucking up any of the frames is to store the shot out as a frame sequence, then read it back in to your favorite tool as a 30 fps sequence. Then you can save the 640x480 or other square-pixel size. Note that you can start with a nice 720x480 29.97 DV shot, track it in SynthEyes, convert it as above for Poser, do your poser animation, render a sequence out of Poser, then composite it back into the original 720x480. One other thing you need to establish at this time---exactly how many frames there are in your shot. If the shot ranges are 0 to 100, there are 101; from 10 to 223, there are 214. 1. After completing tracking in SynthEyes, export using the Poser Python exporter. 2. Start Poser. 3. Set the number of frames of animation, at bottom center of the Poser interface, to the correct number of frames. It is essential that you do this now, before reading the python script 4. File/Run Python Script on the python script output from SynthEyes. 5. The Poser Dolly camera will be selected and have the SynthEyes camera animation on it. There are little objects for each tracker, and also SynthEyes boxes, cones, etc are brought over into Poser. Open Question How to render out of Poser with the animated movie background. The best approach appears to be to render against black with an alpha channel, then composite over the original shot externally. Shake SynthEyes offers three specific exporters for Shake, plus one generic one 1. MatchMove Node. 2. Tracker Node 3. Tracking File format 4. 3-D Export via the “AfterFX via .ma” or Maya ASCII exports. The first two formats (Sizzle export scripts) produce shake scripts (.shk files); the third format is a text file. The fourth option produces Maya scene files that Shake reads and builds into a scene using its 3-D camera. We’ll start with the simplest, the tracking file format. Select one tracker and export with the Shake Tracking File Format, and you will have a track that can be loaded into a Shake tracker using the load option. You can use this to bring a track from SynthEyes into existing Shake tracking setups. Building on this basis, #2, Tracker Node, exports one or more selected trackers from SynthEyes to create a single Tracker Node within Shake. There are some fine points to this. First, you will be asked whether you want to export the solved 3-D positions, or the tracked 2-D positions. These values are similar, but not the same. If you have a 3-D solution in SynthEyes, you can select the solved 3-D positions, and the export will be the “ideal” tracked (predicted) coordinates, with less jitter than the plain 2-D coordinates. Also, since you might be exporting from a PC to a Mac or Linux machine, the image source file(s) may be named differently perhaps X \shots1\shot1_#.tga on the PC, and //macmachine/Users/tom/shots/shot1_#.tga on the PC. The Shake export script s dialog box has two fields, PC Drive and Mac Drive, that you can set to automatically translate the PC file name into the Mac file name, so that the Shake script will work immediately. In this example, you would set PC Drive to “X \\” and Mac Drive to “//macmachine/Users/tom/”. Finally, the MatchMove node exporter looks not for trackers to export, but for SynthEyes planes! Each plane (created from the 3-D panel) is exported to Shake by creating four artificial trackers (in Shake) at the corners of the plane. The matchmove export lets you insert a layer at any arbitrary position within the 3-D environment calculated by SynthEyes. For example, you can insert a matte painting into a scene at a location where there is nothing to track. You can use a collection of planes, positioned in SynthEyes, to obtain much of the effect of a 3-D camera. The matchmove node export also provides PC to Mac/Linux file name translation. trueSpace Directions Warning trueSpace has sometimes had problems executing the exported script correctly. Hopefully Caligari will fix this soon. 1. In SynthEyes, export to trueSpace Python. 2. Open trueSpace. 3. Right-click the Play button in the trueSpace animation controls. 4. Set the correct BaseRate/PlayRate in the animation parameters to match your source shot. 5. Open the Script Editor. 6. From inside the Script Editor, Open/Assign the python script you created within SynthEyes. 7. Click Play (Time On) in the Script Manager. 8. When the Play button turns off, close the ScriptManager. 9. Open the Object Info panel. 10.Verify that the SynthEyes camera is selected (usually Camera01). 11.Change the Perspective view to be View from Object. 12.Select the Camera01Screen. 13.Open the Material Editor (paint pallete). 14.Right click on Color shaders button. 15.Click on (Caligari) texture map, sending it to the Material Editor color shader. 16.Open the subchannels of the Material Editor (Color, Bump, Reflectance). 17.On the Color channel of the Material Editor, right click on the Get Texture Map button and select your source shot. 18.Check the Anim box. 19.Click the Paint Object button on the Material Editor. 20.Click on File/Display Options and change the texture resolution to 512x512. 21.You may want to set up a render background to overlay animated objects on the background, or you can use an external compositing program. Make the Camera01Screen object invisible before rendering. 22.In trueSpace, you need to pay special attention to get the video playback synchronized with rest of the animation, and to get the render aspect ratio to match the original. For example, you must add the texture map while you are at frame zero, and you should set the pixel aspect ratio to match the original (SynthEyes s shot panel will tell you what it is). Vue 5 Infinite The export to Vue Infinite requires a fair number of manual steps pending further Vue enhancements. But with a little practice, they should only take a minute or two. 1. Export from SynthEyes using the Vue 5 Infinite setting. The options can be left at their default settings unless desired. You can save the python script produced into any convenient location. 2. Start Vue Infinite or do a File/New in it. 3. Select the Main Camera 4. On its properties, turn OFF Always keep level 5. Go to the animation menu, turn ON the auto-keyframe option. 6. Select the Python/Run python script menu item, select the script exported from SynthEyes, and run it. 7. In the main camera view, select the Camera01 Screen object (or the equivalent if the SynthEyes camera was renamed) 8. In the material preview, right-click, select Edit Material. 9. The material editor appears, select Advanced Material Editor if not already. 10.Change the material name to flyover or whatever the image shot name is. 11.Select the Colors tab. 12.Select Mapped picture 13.Click the left-arrow Load icon under the black bitmap preview area 14.In the Please select a picture to load dialog, click the Browse File icon at the bottom --- a left arrow superimposed on a folder 15.Select your image file in the Open Files dialog. If it is an image sequence, select the first image, then shift-select the last. 16.On the material editor, under the bitmap preview area, click the clap-board animation icon to bring up the Animated Texture Options dialog 17.Set the frame rate to the correct value. 18.Turn on Mirror Y 19.Hit OK on the Animated Texture dialog 20.On the drop-down at top right of the Advanced Material Editor, select a Mapping of Object- Parametric 21.Turn off Cast shadows and Receive shadows 22.Back down below, click the Highlights tab 23.Turn Highlight global intensity down to zero. 24.Click on the Effects tab 25.Turn Diffuse down to zero 26.Click the Ambient data-entry field and enter 400 27.Hit OK to close the Advanced Material Editor 28.Select the Animation/Display Timeline menu item (or hit F11) 29.If this is the first time you have imported from SynthEyes to Vue Infinite, you must perform the following steps a. Select File/Options menu item. b. Click the Display Options tab c. Turn off Clip objects under first horizontal plane in main view only , otherwise you will not be able to see the background image. d. Turn off Clip objects under first horizontal plane (ground / water) e. Turn off Stop camera going below clipping plane (ground / water) if needed by your camera motion. f. Hit OK 30.Delete the Ground object 31.If you are importing lights from SynthEyes, you can delete the Sun Light as well, otherwise, spin the Sun Light around to point at the camera screen, so that the image can be seen in the preview window. 32.You may have to move the time bar before the image appears. Vue Infinite only shows the first image of the sequence, so you can verify alignment at frame zero. 33.You will later want to disable the rendering of the trackers, or delete them outright. 34.Depending on what you are doing, you may ultimately wish to delete or disable the camera screen as well, for example, if you will composite an actor in front of your Vue Infinite landscape. 35.The import is complete; you can start working in Vue Infinite. You should make probably save a copy of the main camera settings so that you can have a scratch camera available as you prepare the scene in Vue Infinite. Vue 6 Infinite Export from SynthEyes using the Vue 6 Infinite option, producing a maxscript file. Import the maxscript file in Vue 6 Infinite Adjust the aspect ratio of the backdrop to the correct overall aspect ratio for your shot. This is important since Vue assumes square pixels, and if they aren’t (for all DV, say), the camera match will be off badly
https://w.atwiki.jp/amydrone/pages/11.html
SkyFend Technology is the world's leading provider of C-UAS solutions, focusing on establishing comprehensive all-weather countermeasures systems for various anti-UAV scenarios. Skyfend currently launches anti-UAV jamming guns, anti-UAV jammers, UAV detection radars, and C-UAS software systems. Skyfend AFA100 https //www.autelpilot.com/products/skyfend-afa100-anti-drone-jammer Skyfend AFA100 drone jammer is a compact, cost effective, all-in-one anti-drone jammer that can detect and jam the signals of all advanced small unmanned aerial vehicle (SUAV) threats. The device detects drone signals in all directions and provides users with preemptive warnings. Skyfend AFA100drone signal jammer is equipped with a touch panel so that users can easily access useful information. Skyfend AFA100 jamming gun will find the drone direction using directional antennae and automatically adapt to the correct jamming frequency to counter drones promptly. SkyfendBlader https //www.autelpilot.com/products/skyfend-blader Blader is a portable jammer for SUAVs. Featuring countermeasures for UAV flight control, map transmission, and GNSS bands, it can repel drones or force them to crash to solve the threat of rogue SUAVs. SkyfendTracer S/P https //www.autelpilot.com/products/skyfend-trace-p-portable-uav-detector-pilot-locator Skyfend Tracer is a portable UAV detector that effectively receives, analyzes and processes the radio signals of a wide range of UAV models. Skyfend Tracer-P is suitable for extensive and highly maneuverable operations, allowing for deployment in environments that have stringent size, weight and power demands. There are two models for various scenarios. SkyFendGuider C2 https //www.autelpilot.com/products/skyfend-guider Guider C2 software offers an intuitive and feature-rich software platform, providing C-UAS awareness and reporting capability. Supported by sensor fusion, computer vision, edge computing, machine learning and artificial intelligence, Guider integrates radars, detectors and jammers, consolidating their data into a display. It is always on alert, ensuring round the-clock monitoring of drone threats and effectively mitigating human error. SkyFendDefender PAR100 https //www.autelpilot.com/products/skyfend-defender-fmcw-radar Defender is a compact and cost-effective K-band FMCW radar that provides close-range surveillance for land, sea and air applications. It's ideal for portable scenarios and high-value target defense, such as government buildings, official residences and prisons. It utilizes advanced environmental perception and target recognition algorithms to deliver rapid target detection and deployment capabilities. Skyfend Spoofer https //www.autelpilot.com/products/skyfend-spoofer Spoofer is an advanced GNSS navigation spoofing device engineered explicitly for SUAVs. Its primary purpose is to enforce area denial, redirect drones to predetermined orientations and manipulate their flight paths to designated locations. When combined with radar, spectrum detection devices and jammers, it can cause drones to crash or force them to land at appointed locations.
https://w.atwiki.jp/xbox360score/pages/804.html
Harry Potter and the Half-Blood Prince 項目数：43 総ポイント：1000 ★☆☆☆☆ (～890) ★★☆☆☆ (～950) （Crest Collector 14：クレスト収集、要作業） ★★★☆☆ (～1000) （Master of Flying：クィディッチ全５つ星、要スキル） メインストーリーは、Backボタンで呼び出せるナビの後をたどれば、簡単にクリアできる。 ホグワーツのマップは前作（ハリー・ポッターと不死鳥の騎士団）とほぼ同じ。 Grime Buster Clean up after Fred and George at The Burrow 10 Used the Pensieve View Dumbledore s first memory of Tom Riddle in the Pensieve 10 Quidditch Captain Assemble the Gryffindor Quidditch Team 10 Great Party Create a great Christmas party for Slughorn 10 Good Deed Help the student retrieve her stolen Gobstone 20 Great Mate Help Ron avoid Lavender 20 Hidden the Book Hide the Half-Blood Prince s Potions Book 20 Portrait Novice Use your first portrait shortcut 10 Portrait Pro Use all of the portrait shortcuts 20 Adventure completed Conclude the adventure 100 Crest Collector 1 Complete Crest Collector Level 1 10 Crest Collector 2 Complete Crest Collector Level 2 10 Crest Collector 3 Complete Crest Collector Level 3 10 Crest Collector 4 Complete Crest Collector Level 4 10 Crest Collector 5 Complete Crest Collector Level 5 20 Crest Collector 6 Complete Crest Collector Level 6 20 Crest Collector 7 Complete Crest Collector Level 7 20 Crest Collector 8 Complete Crest Collector Level 8 20 Crest Collector 9 Complete Crest Collector Level 9 30 Crest Collector 10 Complete Crest Collector Level 10 30 Crest Collector 11 Complete Crest Collector Level 11 30 Crest Collector 12 Complete Crest Collector Level 12 40 Crest Collector 13 Complete Crest Collector Level 13 50 Crest Collector 14 Complete Crest Collector Level 14 60 Potions Beginner Earn the Potions Beginner s Luck Badge 10 Speedy Brewer Badge Earn the Speedy Brewer Badge 10 Potions Club Star Earn the Potions Club Star Badge 10 Potions Club Veteran Earn the Potions Club Veteran Badge 20 Master Potioneer Earn the Master Potioneer Badge 50 Duelling Beginner Earn the Duelling Beginner s Luck Badge 10 Reflex Badge Earn the Reflex Badge 10 Duelling Champion Earn the Duelling Club Champion Badge 10 Duelling Veteran Earn the Duelling Veteran Badge 20 Master Duellist Badge Earn the Master Duellist Badge 50 Quidditch Beginner Earn the Quidditch Beginner s Luck Badge 10 Precision Flyer Badge Earn the Precision Flyer Badge 10 Combo Flyer Badge Earn the Combo Flyer Badge 10 Keen Flyer Badge Earn the Keen Flyer Badge 20 Master of Flying Earn the Master of Flying Badge 50 秘密の実績 The Burrow Defender Successfully protected The Burrow 20 Mystery Solved Retrieved Slughorn s missing memory 20 Quidditch Champion Won the Quidditch Cup 30 Escaped the Cave Escaped the Cave 40 実績ガイド 海外フォーラムの実績ガイド（英文） ttp //www.xbox360achievements.org/forum/showthread.php?t=158871 ＜クレスト系＞ Crest Collector 1～14 クレスト場所ガイド（英文） ttp //www.xbox360achievements.org/forum/showthread.php?t=158974 クレスト場所ガイド（動画） ttp //www.xbox360achievements.org/forum/showthread.php?t=161175 クレストは上記ガイドを参考にすれば全て回収できる。ミニクレスト回収は作業。 クレストの主な回収方法壁の高い所にあるクレストは、Winngardum Leviosaで他の物をぶつけて取る。 オリの中にあるクレストは、Winngardum Leviosaで奥にぶつけ、破片にしてからオリの外へ出し、Reparoで修復。 青の垂れ幕（バナー）は、Aボタンでジャンプしてめくり、順番にめくると最後の垂れ幕からクレスト。 ライオン像をAボタンで調べると、サブイベントのヒントをくれる。反応がない場合は、他のライオン像を探す。（順番がある模様） ＜ポーション系＞ Speedy Brewer Badge 35秒未満でポーションを作成する。Wit Sharpening potionだと素材が3つだけなのでラク。 Master Potioneer 全てのポーションで５つ星を取る。難易度はそれほど高くない。 ＜デュエル系＞ Master Duellist Badge 全てのデュエルで５つ星を取る。 ５つ星は、Levicorpusで動きを止め、敵に出来るだけ近づいてから、Chargingで2段階溜めた攻撃を当てると、ラクに取れる。 デュエルの場所 Gryffindor - Great Hall(left side of the exit) Ravenclaw - Transfiguration Courtyard Hufflepuff - Training Ground Slytherin - Paved Courtyard ＜クィディッチ系＞ Keen Flyer Badge メインメニューで、Clubs → Flying Clubsを選び、クィディッチ（練習・試合）を全てプレイすると解除。 Master of Flying 全てのクィディッチで５つ星を取る。難易度は高い。要スキル。
https://w.atwiki.jp/dominions3/pages/506.html
Call the Eater of the Dead 州の死体を食べて強くなるEater of the Dead1体を召喚します 最終段階になると必ず裏切ります Call the Eater of the Dead ジェム 疲労 内部ID 515 50 使用 水中判定 効果 効果量 儀式 Summon Uniques 主属性 主Lv 効果発生数 射程距離 Astral 4 1 副属性 副Lv 効果範囲 命中補正 Death 4 0 領域 Lv 防御判定 抵抗判定 Conjuration 8 専用国家 ゲーム内説明文 The Death mage uses ancient and unholy rituals to call forth the Eater of the Dead, a dreadful being once banished to the Void by the previous Pantokrator. 和訳 死の魔術師は、Eater of the Deadを召喚するため古代の不浄なる儀式を用います。この忌むべき存在は、かつて先代の絶対者によってVoidへと追放されました。 注記 戦闘などで発生した死体を貪り、急激に力をつけていく魔物Eater of the Deadの召喚儀式。魔法の説明ではその危険性は直接的には語られていないが、察しをつけられなくはない意味深な一文がある。 Eater of the Deadは初期状態でもそこそこ強いが、死体を消費することでHPをどんどん増加させていく。そして食べた死体が一定数を超えるたびに次の段階へと変化し、その他のステータスも増加させる。 また変化ごとに攻撃が追加されていくので、攻撃性能もどんどん上がる。初期状態でもTrample持ちのサイズ6なので、雑兵散らしには十分すぎる性能を持つ。HP再生もある上、HPがどんどん増えるので効果が上がっていく。 戦闘中、周囲に病気を撒く点に注意する必要があるが、これはアンデッドなどの病気の影響を受けない兵を同行させるのが手っ取り早いだろう。普通の兵だと気をつけていても完全に防ぐのは難しい。 指揮官ではないので、動きやすくしたいならGift of Reasonが欲しい。アイテムもその他欄2つは持てるので少しばかり強化できるようになる。ユニークなので多数は呼び出せないため、使うなら少しでも補強しておきたい。 弱みは防御スキルの乏しさと防御力の低さ。小型の兵で袋叩きにされると結構簡単に倒される。特にHPが低い最初のうちはそれが顕著で、図体がデカいので射撃にも弱い。とはいえ、最大の難点はそこではない。 Eater of the Dead自身の説明文には「本来の力を完全に取り戻すことが叶わない限り、彼は命令に従います」とある。つまり、最終的には裏切る。これは確率ではなく、いずれは必ず発生する。 成長するたび（姿が変わるたび）にメッセージが出る他、裏切るタイミングはHPから大体わかるので注意していれば大丈夫だが、裏切りそのものを防ぐ術は無い。 第一段階：The eater of the dead is growing in power and it is starting to look really promising. 第二段階：The eater of the dead is growing in power and if it continues to grow at this rate it will soon become impossible to control. 最終段階：The eater of the dead has grown too powerful and it is now impossible to control. 最終段階のUnfetteredになるのはHPが800を超えたあたり。元の性能からすると大幅に強大化しており、相変わらずTrampleで暴れ回る上に補正10のFearもあるので、普通の兵では潰走してしまいがち。 ご丁寧にHP再生に加えてAffliction自動治癒までついているので、相当な攻撃力が無いと仕留めきれない。耐性こそアンデッド特有の冷気・毒物無効のみだが、魔法耐性は高い。 病気を撒き散らすので、接触されただけでも生物には命取り。攻撃も防御貫通攻撃2回、病気追加攻撃、防御無視筋力吸収攻撃、生命力吸収の5連打で、蹂躙されない同サイズが相手でも相当厳しい。 泣き所はやはり防御面の弱さなので、自軍で運用する際に警戒してきたことをそのまま実行すれば撃退はできるはず。ただし相当な数と火力がなくては先に壊滅させられる可能性が高い。 凝った魔法ではあるが、その分いまいちはっきりしない挙動がある。撃退したはずのUnfetteredがまた現れたり、Unfetteredが健在なうちからまたEater of the Deadが呼び出せてしまったり（Unfetteredも別途2体目が出来上がった）。 おまけに新しいUnfetteredが現れた次のターンから戦闘のタイムオーバーで消滅していた1体目が再び現れて彷徨い始めるという状況に。まともに考えると、本来は2体目は出てきてはならないように思える。 別にエラーが起きたりはしないようだが、不審な挙動が嫌いな人はそもそも使わないほうがいいかもしれない。戦略的に見ても安定する魔法ではないので、かなり好みが分かれる感はある。 実験ついでの写真。裏切って尚死体を食べ続けると更に成長を続け、この通り手がつけられないというレベルを越える。HP再生が毎ターン345というのは狂気の沙汰で、即死以外で倒せる気はしない。 扱いは中立軍なのだが、どうも移動すらできるようで、数ターン放置したところ次々に州を攻撃して行った。相当な特別扱いを受けているのは確かな様子。 なお、支配魔法で再び支配してもそのうちまた裏切るようなので意味は無い。動かせるうちに敵の首都に投げ込んでみても面白そうではあるが。 コメント 名前 コメント
https://w.atwiki.jp/touhoukashi/pages/3790.html
【登録タグ DiGiTAL WiNG W nachi デジウィ BEST デジハロ NEXUS ラストリモート 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/deadspace2/pages/4.html
ニュース @wikiのwikiモードでは #news(興味のある単語) と入力することで、あるキーワードに関連するニュース一覧を表示することができます 詳しくはこちらをご覧ください。 ＝＞http //atwiki.jp/guide/17_174_ja.html たとえば、#news(wiki)と入力すると以下のように表示されます。 【グランサガ】リセマラ当たりランキング - グランサガ攻略wiki - Gamerch(ゲーマチ) マニュアル作成に便利な「画像編集」機能を提供開始！ - ナレッジ共有・社内wikiツール「NotePM」 (2021年12月6日) - エキサイトニュース マニュアル作成に便利な「画像編集」機能を提供開始！ - ナレッジ共有・社内wikiツール「NotePM」 - PR TIMES 「Wiki」創設者のPC 競売に - auone.jp 篠原悠希×田中芳樹が明かす「歴史ファンタジー小説ならではの悩み」（現代ビジネス） - Yahoo!ニュース - Yahoo!ニュース 【Apex Legends】ヴァルキリーの能力と評価【エーペックス】 - Gamerch(ゲーマチ) モンハンライズ攻略Wiki｜MHRise - AppMedia(アップメディア) 【ウインドボーイズ】リセマラ当たりランキング（最新版） - ウインドボーイズ攻略Wiki - Gamerch(ゲーマチ) ポケモンBDSP(ダイパリメイク)攻略wiki - AppMedia(アップメディア) 【テイルズオブルミナリア】リセマラ当たりランキング - TOルミナリア攻略Wiki - Gamerch(ゲーマチ) SlackからWikiへ！シームレスな文章作成・共有が可能な「GROWIBot」リリース - アットプレス（プレスリリース） ドラゴンクエストけしケシ攻略Wiki - Gamerch(ゲーマチ) 【ウマ娘】チャンピオンズミーティングの攻略まとめ - Gamerch(ゲーマチ) 【ウマ娘】ナリタブライアンの育成論｜URAシナリオ - Gamerch(ゲーマチ) サモンズボード攻略wiki - GameWith 【スタオケ】カード一覧【金色のコルダスターライトオーケストラ】 - Gamerch(ゲーマチ) 【スマブラSP】ソラのコンボと評価【スマブラスペシャル】 - Gamerch(ゲーマチ) 【ブレフロレゾナ】リセマラ当たりランキング【ブレイブフロンティアレゾナ】 - ブレフロR攻略Wiki - Gamerch(ゲーマチ) 【ポケモンユナイト】サーナイトの評価と性能詳細【UNITE】 - Gamerch(ゲーマチ) 【ガーディアンテイルズ】ギルドレイド戦（秘密の研究所）の攻略とおすすめキャラ【ガデテル】 - Gamerch(ゲーマチ) 【ENDER LILIES】攻略チャートと全体マップ【エンダーリリィズ】 - Gamerch(ゲーマチ) 【ウマ娘】あんしん笹針師の選択肢はどれを選ぶべき？ - Gamerch(ゲーマチ) 【ポケモンユナイト】アップデート情報・キャラ調整まとめ - ポケモンユナイト攻略Wiki - Gamerch(ゲーマチ) 【Apex】シーズン11の新要素と最新情報まとめ【エーペックス】 - Gamerch(ゲーマチ) ロストジャッジメント攻略Wiki - Gamerch(ゲーマチ) 【Among us】新マップThe Airship（エアシップ）の解説【アモングアス】 - Gamerch(ゲーマチ) ハーネスについて小児科医の立場から考える（坂本昌彦） - 個人 - Yahoo!ニュース - Yahoo!ニュース ゼルダ無双攻略Wiki｜厄災の黙示録 - AppMedia(アップメディア) ウマ娘攻略Wiki - AppMedia(アップメディア) ゲトメア（ゲートオブナイトメア）攻略Wiki - Gamerch(ゲーマチ) 【白夜極光】リセマラ当たりランキング - 白夜 極光 wiki - Gamerch(ゲーマチ) お蔵入りとなった幻の『スーパーマリオ』 オランダの博物館でプレイ可能？（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース ナレッジ共有・社内wikiツール「NotePM」が「ITreview Best Software in Japan 2021」のTOP50に選出 - PR TIMES 真女神転生5攻略Wiki｜メガテン5 - AppMedia(アップメディア) 【B4B】近接ビルドデッキにおすすめのカード【back4blood】 - Gamerch(ゲーマチ) ポケモンスナップ攻略wiki - AppMedia(アップメディア) 富野由悠季「ブレンパワード」作り直したい！ファンを前に意欲（シネマトゥデイ） - Yahoo!ニュース - Yahoo!ニュース 【ウマ娘】査定効率から見た取るべきスキルとおすすめキャラ【プリティーダービー】 - Gamerch(ゲーマチ) 【スマブラSP】カズヤの評価とコンボ【スマブラスペシャル】 - Gamerch(ゲーマチ) メモ・ドキュメント・wiki・プロジェクト管理などオールインワンのワークスペース「Notion」が日本語ベータ版提供開始 - TechCrunch Japan 【ギアジェネ】リセマラ当たりランキング【コードギアス】 - ギアジェネ攻略Wiki - Gamerch(ゲーマチ) モンスターファーム2(MF2)攻略wiki｜アプリ・Switch移植版 - AppMedia(アップメディア) 【ブラサジ】最強キャラTierランキング【ブラックサージナイト】 - Gamerch(ゲーマチ) 【パワプロ】鬼滅の刃コラボ情報まとめ - Gamerch(ゲーマチ) 【SPAJAM2021】第3回予選大会は「クイズ!WIKIにゃんず!」を開発したチーム「かよちゃんず」が最優秀賞！ | gamebiz - SocialGameInfo 検索結果における「ナレッジパネル」の役割とは・・・ウィキメディア財団とDuckDuckGoの共同調査 - Media Innovation ナレッジ共有・社内wikiツール「NotePM」が「BOXIL SaaS AWARD 2021 Autumn」にて「コラボレーション部門」を受賞！ - PR TIMES 【ポケモンユナイト】カメックスの評価と立ち回り【UNITE】 - Gamerch(ゲーマチ) 「ゼルダの伝説 BotW」のマラソンで23秒？ 驚きの速さで完走した方法が話題（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース Wikipediaが「中国人編集者の身の安全を守るため」に一部の編集者アカウントをBANに - GIGAZINE BTS（防弾少年団）のV、8月のWikipedia閲覧数が韓国アーティストで1位！グループでは4ヶ月連続トップ - Kstyle 【イース6オンライン】リセマラ当たりランキング｜召喚ガチャの開放条件は？ - Gamerch(ゲーマチ) BacklogからNotePMへwiki情報を自動API連携する「Backlog to NotePM」をSaaStainerに掲載開始 - PR TIMES ライザのアトリエ2攻略Wiki - AppMedia(アップメディア) 真女神転生3リマスター攻略Wiki｜メガテン3 - AppMedia(アップメディア) ガーディアンテイルズ（ガデテル）攻略Wiki - Gamerch(ゲーマチ) タスクも文書もWikiもデータベースもまとめて管理できる「Notion」とは？ - ASCII.jp ナレッジ共有・社内wikiツール「NotePM」が、見るだけ専用ユーザー『無料』の新プランを発表！ - PR TIMES 【かのぱず】リセマラ当たりランキング【彼女お借りします】 - Gamerch(ゲーマチ) 【乃木フラ】リセマラの必要はある？【乃木坂的フラクタル】 - Gamerch(ゲーマチ) メトロイド ドレッド攻略Wiki - Gamerch(ゲーマチ) 【パワプロ】生放送まとめ｜パワフェス2021 - パワプロ攻略Wiki - Gamerch(ゲーマチ) ルーンファクトリー5攻略wiki｜ルンファク5 - AppMedia(アップメディア) 【ふんクロ】リセマラ当たりランキング【シャーマンキング】 - ふんクロ攻略Wiki - Gamerch(ゲーマチ) 簡単操作で自分専用Wikiを構築できるMarkdownエディタ「Obsidian」のモバイル版を使ってみた - GIGAZINE 【ポケモンユナイト】配信時間は何時から？スタートできない？【UNITE】 - Gamerch(ゲーマチ) ディーサイドトロイメライ攻略Wiki - Gamerch(ゲーマチ) 【ウマ娘】体操服の変更方法と法則性 - Gamerch(ゲーマチ) 情報マネジメントツール「Huddler」がwiki機能を刷新 - PR TIMES シェアエコ配送アプリ「DIAq(ダイヤク)」のアンカーアプリで、高層ビル・商業施設の入館方法などお役立ち情報をまとめた「DIAqwiki」を公開 - アットプレス（プレスリリース） 異常熱波のカナダで49.6度、いま北米で起きていること（森さやか） - 個人 - Yahoo!ニュース - Yahoo!ニュース 【ツイステ】マスターシェフの攻略～辛味のふるさと～【料理イベント】 - Gamerch(ゲーマチ) 【ラグナロクオリジン】リセマラは不要？おすすめ職業は？【ラグオリ】 - Gamerch(ゲーマチ) 【アイプラ】リセマラ当たりランキング【アイドリープライド】 - AppMedia(アップメディア) 白夜極光攻略wiki - AppMedia(アップメディア) 【バイオミュータント】2.02アプデ｜アップデート1.4情報 - バイオミュータント攻略Wiki - Gamerch(ゲーマチ) 【ひな図書】リセマラ当たりランキング【日向坂図書館】 - Gamerch(ゲーマチ) ニーアレプリカントリメイク攻略wiki｜ver.1.22 - AppMedia(アップメディア) アイプラ攻略Wiki｜アイドリープライド - AppMedia(アップメディア) 【ウマ娘】ゴルシウィークはいつから？キャンペーン情報まとめ - Gamerch(ゲーマチ) シーズン66 - 【超速GP】ミニ四駆 超速グランプリ攻略まとめwiki - 電撃オンライン 乃木坂的フラクタル攻略Wiki - Gamerch(ゲーマチ) 「こんなことになるとは…」13年前のエイプリルフールについた“嘘”がネットで… ある男の告白（BuzzFeed Japan） - Yahoo!ニュース - Yahoo!ニュース 整理不要の情報共有ツール(社内Wiki)「Nerve」シードラウンドで総額約3500万円の資金調達を実施 - PR TIMES 【ウマ娘】隠しイベントの発生条件と効果まとめ - Gamerch(ゲーマチ) Nerve - 整理不要の情報共有ツール(社内Wiki) ローンチカスタマー募集開始のお知らせ - PR TIMES Among Us攻略Wiki【アマングアス・アモングアス】 - Gamerch(ゲーマチ) パニシンググレイレイヴン(パニグレ)攻略wiki - Gamerch(ゲーマチ) 【ひなこい】最強ひな写ランキング - ひなこい攻略Wiki - Gamerch(ゲーマチ) 稲作アクションRPG『天穂のサクナヒメ』における「農林水産省攻略wiki説」は本当なのか？ - AUTOMATON スタスマ攻略Wiki【スタースマッシュ】 - Gamerch(ゲーマチ) 無料とは思えない多機能っぷりなWikiインフラ「Wiki.js」レビュー、自前でホスト＆外部サービスと連携可能 - GIGAZINE Microsoft Teamsの基本と活用(24) TeamsのWikiを使う - マイナビニュース 『ゲーミングお嬢様』での提起が話題に “企業系wiki”に横たわる問題点とは - リアルサウンド 「エイリアンのたまご」，自動周回機能と公式wikiが登場 - 4Gamer.net 【リゼロス】Re ゼロから始める異世界生活 Lost in Memories攻略まとめwiki - 電撃オンライン パワプロ2021／2020攻略Wiki - Gamerch(ゲーマチ) ヌーラボ、「Backlog」の絵文字入力の補完機能やWiki編集の自動マージ機能を改善 - CodeZine（コードジン） ヌーラボ、プロジェクト管理ツール「Backlog」の絵文字入力の補完機能・Wiki編集の自動マージ機能を修正改善 - PR TIMES Backlog、Wikiにファイル添付が容易にできる機能をリリース -- グローバルバーの視認性改善なども実施 - PR TIMES
https://w.atwiki.jp/saicron/pages/123.html
tags (jQuery) 2011/01/31 14 54/ edit this_page jQuery Selectors CONTENS jQuery セレクター セレクターを確認するツール page top/ edit this page jQuery セレクター jQury Selectors $("#header") $(".link") $("#header, p, .link) $("#header p) 以下全て $("#header p) 直下のみ $("#header + p) 隣接のみ(ひとつ) $("li first) 最初の要素 $("li last) 最後の要素 $("li even) 偶数 $("li odd) 奇数 $("#" + id_str) page top/ edit this page セレクターを確認するツール Interactive jQuery selector tester jQuery Selectors jQuery Selectors Inspector page top/ edit this page tags (jQuery) 2011/01/31 14 54/ edit this_page © Saicron
https://w.atwiki.jp/cocoareferencejp/pages/108.html
Tags Frameworks リファレンス 未完 Cocoa トップ フレームワーク Cocoa 階層 Application Kit Application Kitフレームワークリファレンス 翻訳元 このページの最終更新：2010-02-11 ADCの最終更新：2009-08-28 イントロダクション? フレームワーク /System/Library/Frameworks/AppKit.framework ヘッダーファイルのディレクトリ /System/Library/Frameworks/AppKit.framework/Headers コンパニオンガイド Cocoa Fundamentals GuideApplication Kit Release Notes (Snow Leopard)? クラスリファレンス CIColor Additions CIImage Additions NSActionCell NSAffineTransform Additions NSAlert NSAnimation NSAnimationContext NSAppleScript Additions NSApplication NSArrayController NSATSTypesetter NSAttributedString Application Kit Additions NSBezierPath NSBitmapImageRep NSBox NSBrowser NSBrowserCell NSBundle Additions NSButton NSButtonCell NSCachedImageRep NSCell NSCIImageRep NSClipView NSCoder Application Kit Additions NSCollectionView NSCollectionViewItem NSColor NSColorList NSColorPanel NSColorPicker NSColorSpace NSColorWell NSComboBox NSComboBoxCell NSControl NSController NSCursor NSCustomImageRep NSDatePicker NSDatePickerCell NSDictionaryController NSDockTile NSDocument NSDocumentController NSDrawer NSEPSImageRep NSEvent NSFileWrapper NSFont NSFontDescriptor NSFontManager NSFontPanel NSForm NSFormCell NSGlyphGenerator NSGlyphInfo NSGradient NSGraphicsContext NSHelpManager NSImage NSImageCell NSImageRep NSImageView NSLayoutManager NSLevelIndicator NSLevelIndicatorCell NSMatrix NSMenu NSMenuItem NSMenuItemCell NSMenuView NSMutableAttributedString Additions NSMutableParagraphStyle NSNib NSNibConnector NSNibControlConnector NSNibOutletConnector NSObjectController NSOpenGLContext NSOpenGLLayer NSOpenGLPixelBuffer NSOpenGLPixelFormat NSOpenGLView NSOpenPanel NSOutlineView NSPageLayout NSPanel NSParagraphStyle NSPasteboard NSPasteboardItem NSPathCell NSPathComponentCell NSPathControl NSPDFImageRep NSPersistentDocument NSPICTImageRep NSPopUpButton NSPopUpButtonCell NSPredicateEditor NSPredicateEditorRowTemplate NSPrinter NSPrintInfo NSPrintOperation NSPrintPanel NSProgressIndicator NSResponder NSRuleEditor NSRulerMarker NSRulerView NSRunningApplication NSSavePanel NSScreen NSScroller NSScrollView NSSearchField NSSearchFieldCell NSSecureTextField NSSecureTextFieldCell NSSegmentedCell NSSegmentedControl NSShadow NSSlider NSSliderCell NSSound NSSpeechRecognizer NSSpeechSynthesizer NSSpellChecker NSSplitView NSStatusBar NSStatusItem NSStepper NSStepperCell NSString Application Kit Additions NSTableColumn NSTableHeaderCell NSTableHeaderView NSTableView NSTabView NSTabViewItem NSText NSTextAttachment NSTextAttachmentCell NSTextBlock NSTextContainer NSTextField NSTextFieldCell NSTextInputContext NSTextList NSTextStorage NSTextTab NSTextTable NSTextTableBlock NSTextView NSTokenField NSTokenFieldCell NSToolbar NSToolbarItem NSToolbarItemGroup NSTouch NSTrackingArea NSTreeController NSTreeNode NSTypesetter NSURL Additions NSUserDefaultsController NSView NSViewAnimation NSViewController NSWindow NSWindowController NSWorkspace プロトコルリファレンス NSAccessibility NSAlertDelegate NSAnimatablePropertyContainer NSAnimationDelegate NSApplicationDelegate NSBrowserDelegate NSChangeSpelling NSCollectionViewDelegate NSColorPickingCustom NSColorPickingDefault NSComboBoxCellDataSource NSComboBoxDataSource NSComboBoxDelegate NSControlTextEditingDelegate NSDatePickerCellDelegate NSDictionaryControllerKeyValuePair NSDockTilePlugIn NSDraggingDestination NSDraggingInfo NSDraggingSource NSDrawerDelegate NSEditor NSEditorRegistration NSFontPanelValidation NSGlyphStorage NSIgnoreMisspelledWords NSImageDelegate NSKeyValueBindingCreation NSLayoutManagerDelegate NSMatrixDelegate NSMenuDelegate NSMenuValidation NSNibAwaking NSOpenSavePanelDelegate NSOutlineViewDataSource NSOutlineViewDelegate NSPasteboardItemDataProvider NSPasteboardReading NSPasteboardWriting NSPathCellDelegate NSPathControlDelegate NSPlaceholders NSPrintPanelAccessorizing NSRuleEditorDelegate NSServicesRequests NSSoundDelegate NSSpeechRecognizerDelegate NSSpeechSynthesizerDelegate NSSplitViewDelegate NSTableViewDataSource NSTableViewDelegate NSTabViewDelegate NSTextAttachmentCell NSTextDelegate NSTextFieldDelegate NSTextInput NSTextInputClient NSTextViewDelegate NSTokenFieldCellDelegate NSTokenFieldDelegate NSToolbarDelegate NSToolbarItemValidation NSToolTipOwner NSUserInterfaceValidations NSValidatedUserInterfaceItem NSWindowDelegate NSWindowScripting その他のリファレンス Application Kit Functions Application Kit Data Types Application Kit Constants
https://w.atwiki.jp/starwarsleague/pages/41.html
SW Favorite Collection! は2014年7月頃からスタートした連盟第2回企画。 内容は、自分の好きなSTARWARSのキャラクターやビークルなどなどなどの画像を紹介していくというものである。 企画リーダーはSeries105。 参加者募集は第1回企画「1138の物語」に参加した方数名となっている。参加希望者も募集したが希望者はいなかった。 順番 Series105→ヴァルディ→sac→STWRS→ジェイケイ ※参加者は現在も募集しております。連絡は企画リーダーまで。 ＜企画実行＞ 第1回 Series105 8月19日 http //blogs.yahoo.co.jp/mrin01series105/12490877.html 第2回 ヴァルディ 8月20日～10月3日 http //blogs.yahoo.co.jp/shinnanob/69207529.html 第3回 sac 10月4日 http //blogs.yahoo.co.jp/sacrifar45/12389983.html 第4回 STWRS 第5回 ジェイケイ
https://w.atwiki.jp/tokimekicn/pages/1523.html
ときめきメモリアル カラオケコレクションvol.2 卡拉OK Collection系列的第二辑。 CD信息 ときめきメモリアル カラオケコレクションvol.2 发售时间 1998年2月28日 发售方 科乐美 销售方 King Record 主要演奏者 矩形波俱乐部 CD编号 LC802,803 售价 3150日元 曲目信息 Disc1(LC802) My energy 月夜の出来事 忘れないでネ おサカナになりたい せつなさのかけらたち 青になれ！ 友達というスタンス Sincerely～素直になりたい～ 七色の毛糸玉 ハートのスタートライン～with you～ Disc2(LC803) only you パジャマ デート あした 超（今世紀最大級）LOVE 水の都へ… ふたりならHAPPY！ 心からの笑顔 恋はほどほどに 二人の時～forever～ 恋愛物語入門(1)初步の初步 简介 既然是卡拉OK的名义，CD中的所有曲目均为消除了Vocal的伴奏版，非常适合爱好者们演唱。 各曲目的歌词请参见对应曲目的页面。 相关页面 CD目录 音乐